


With this massive speed increase, customers can now play back, edit and grade 8K projects even faster, and can work with up to 12 streams of 8K footage.ĭaVinci Resolve 17.4 is available for download now from the Blackmagic Design website.ĭaVinci Resolve 17.4 also increases the decoding speed of 12K Blackmagic RAW files, making it over 3 times faster and H.265 rendering is also 1.5 times faster. Double-click to open your timeline in Resolve’s NLE if it didn’t do so automatically.Now up to 5 times faster for 8K editing and grading on Apple Macmodels with M1 Pro and Max, plus Dropbox Replay integration and more!įremont, CA, USA - Thursday, OctoBlackmagic Design today announced DaVinci Resolve 17.4 which transforms the speed of DaVinci Resolve to work up to 5 times faster on the new Apple Mac models with the M1 Pro and M1 Max chips. Your timeline should appear in the Media Pool in the left hand column with a white film strip in the corner of the thumbnail. Importing 4K media or long-running films with lots of clips this way will crash Resolve.

It’s possible to do this for smaller projects, but for larger projects this is not recommended. MAKE SURE “AUTOMATICALLY IMPORT SOURCE CLIPS INTO MEDIA POOL” IS UNCHECKED. Navigate to where you stored your AAF/XML and click “Open.”Ī dialogue box pops up which looks like this: In the Edit tab, navigate to the top menu bar and select File>Import AAF, EDL, XML… (or right-click anywhere in the gray and select Import). You can always decide to split these clips later, but if Resolve recognizes them as separate from the getgo, there’s no way to stitch them back together. If the box is CHECKED, you will have to grade them separately.Įither one is fine, but it’s important to make this decision before importing your XML. If this box is UNCHECKED, Resolve will apply the same color correction to all of them at once. Resolve is smart enough to know when you have different parts of the same source clip intercut throughout your sequence.

Find the very first box which says “ Use local version for new clips in timeline.” Open the soft preferences menu (gear icon in the bottom right corner) and look under Color>Timeline Settings. This guide will walk you through how to import your sequence and get coloring. DaVinci Resolve neatly reconstructs your timeline using metadata: an AAF, XML, or EDL.
